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J​ē​maraz

by Flavigula

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1.
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3.
Nomenclature 09:11
4.
Hand 23 05:53
5.
Aaata Finchi 08:32
6.
Grimoire 07:34
7.
8.

about

Flavigula began as Bob's clouds of abstractions that wanted to be put to "tape", as it were. Endless swaying and looping improvisations for ambient guitar gradually gave way to more concise composing, especially after Christian's input brought more focus. The majority of the pieces here are impressionistic potrayals of long abandoned cities situated on unsure shores painted in minimalistic, jazz tinged hues. Martes Flavigula wavers in the haze.

credits

released May 29, 2023

Compositions by Bob Murry Shelton
Words and artwork by Christian Michael Newman

Bob Murry Shelton: Guitar, Ukulele, SBUP, Mullah, Boris, Kalimba, Supercollider, Myriad effects, Pocket operators, Monotron Duo & Delay, no mutterings

Christian Michael Newman: Vocals, Guitar, Torsioned synth, Various effects, myriad mutterings

Kris Boudreau: Electric bass guitar

Matthew Riley Walsh, Attorney at Law: Electric bass guitar on "Hand 23", a single note (also on electric bass guitar) on "Dobruszka a Její Vepřík".

Miloslav Pušonjić: Ductile piano

Percussion samples recorded and rethurked by Christian and / or Bob during various recent epochs

Weaving in and out of the atmospheres are the voices of the Yak, Elvia, Herb Newman, Bartoloměj Brožka, Daniel Brožka, Michal Brožka and the wraiths of Logroño

Arrangements by Bob, Christian and the Yak

Thanks to Rob from Submarine Broadcasting Company, to Daniel García from the land of cinematic madness, and to Michal Brožka from the heights of moonspiration

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Flavigula Logroño, Spain

Flavigula wavers in crepuscular zones, modulating among ripples and maelstroms, within spectra of snow and hailstones. Neither she makes delineations among the pleasing and unsightly, nor distinctions within the crystalline, shifting phase. Bounding in abstract landscapes, she thrives. ... more

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